You are at the front door of the Hollywood Classic Movie Museum.
A gold-colored star decorates the big glass front door.
The door is locked.
>EXAMINE THE STAR
The star sticks out a little from the surface of the door.
>PUSH THE STAR
The door swings open.
This is the air-conditioned lobby of the museum, decorated with
old movie posters and autographed photos of movie stars. Through
the glass doors leading outside you can see the sidewalk glaring
in the heat of the California sun. North of you, under a large poster
of "Gone with the Wind," is the entrance to the exhibits.
Across the linoleum floor, under a sign that says "Tours Meet
Here," you can see a small group of people.A tour guide beckons
for you to join the group. "Welcome to the museum," she
says, shaking your hand. "I'm glad you could join us. Tell
me, what was your favorite movie creature?"
"Did you say King Kong?"
"That's wonderful," she enthuses. "It just happens
that our special exhibit this week features King Kong."The
tour guide points to her name tag, saying "My name's Spencer.
What's your name?"
>MS. DANIELLE CROMPTON
"Did you say, Ms. Danielle Crompton?"
"Feel free to ask me questions about any of the exhibits you
see. Let's begin the tour." Spencer leads you and three other
people north into the first exhibition hall.
(Errol Flynn room)
Errol Flynn made quite a few movies in his heyday in Hollywood,
and from the amount of props, costumes and photographs crammed into
this room, there's something here from every single one of those
movies. There are doors on the east and south walls.
>LOOK AT GROUP
Besides yourself and the tour guide, there are threepeople in the
group: a good-looking man you judge to be about your age, an older
woman and an older man.
>LOOK AT WOMAN
(Which woman do you mean, the tour guide or the older woman?)
The older woman is wearing a white silk dress with large purple
flowers on it. She has a hat to match. And the woman is carrying
an oversized purple tote bag.
"This is an older section of the museum," Spencer says.
"It was built as a memorial to Errol Flynn. The case on the
north wall contains several of the swords he used in his swashbucklling
roles. Against the west wall there are several pairs of his trademark
boots. Let's move on."Spencer walks through the door on the
east side of the room.
You walk into the next room. The other people follow you.
(horror movie room)
Among the different props in the room, your eyes are drawn to the
large pendulum swinging overhead. There is an open iron maiden near
the entrance to the west, assorted coffins, and several glass jars
on a shelf against the west wall. Doors lead west and north. Spencer
is waiting for you.
You are holding a linen suit (actually, wearing it). In the pocket
of the suit you see keys, money, and a magnet.
"This room is a collection of props from the old horror movies,"
Spencer says, when the whole group has gathered. "There is
a card in front of each piece explaining what movie it is from,
when the picture was released, and what part the prop played in
>LOOK IN THE GLASS JARS
You notice that each jar contains a pair of false vampire teeth.
>TAKE THE VAMPIRE TEETH
You would have to open the jar to do that.
>OPEN THE JAR
You're not holding the glass jar.
>TAKE THE GLASS JAR
"Please don't touch the exhibits," Spencer says. "Many
of them are very old and fragile."
>LOOK AT SPENCER
She is wearing a navy blue jacket and skirt with a cream-colored
blouse. You assume that this is the museum uniform.
>ASK SPENCER AOBUT THE PENDULUM
(I don't know the word "aobut".)
[You can fix a misspelled word if you type OOPS then the word that
"Oh, we were very lucky to get that piece," she says.
"Many museums wanted it, but our curator happens to be a personal
friend of Vincent Price, who donated it."
"Our next room," continues Spencer, "is our special
exhibit of the week, the King Kong exhibit. I'm sure you'll enjoy
it, Danielle." Your group follows Spencer through the door
in the north wall into the next room.
(King Kong room)
This room is filled with gorilla suits, comic books, and cartoons.
You find yourself drawn to the center of the room, where there is
an amazing model of New York City with the Empire State Building
rising up from it.
>LOOK AT THE MODEL
The other people in the group must have been waiting to see this
too, because before you can get close enough to the model, they
crowd in front of you.
(Whom do you want to yell at?)
(You can't use more than one direct object with "yell"!)
>YELL AT THE OLDER WOMAN
The older woman glares at you in a way that reminds you of your
second grade teacher.
Someone moves away from the model, leaving room for you. In your
excitement, you inadvertently step on the toes of the good-looking
>ASK YOUNG MAN ABOUT THE MODEL
Too bad, but he is peeved with you.
>APOLOGIZE TO HIM
"Apology accepted. By the way, my name's Ed."
>LOOK AT THE MODEL
You marvel at the detail in the towering skyscrapers and miniature
cars. As your eyes move over the model, you focus on the Empire
State Building. The spire is perfectly crafted, the antenna so thin
and fragile...You gasp! King Kong is missing from his customary
>SPENCER, TELL ME ABOUT KING KONG
"He really was one of my favorite movie creatures too, Danielle."
>SPENCER, LOOK AT THE MODEL
Spencer stands next to you, surveying the model. her face whitens
and she trembles slightly. "King Kong is missing!" she
gasps. "I've got to find that statuette. This model is one
of our most valuable pieces!" Immediately, she presses a button
on the wall, which begins to glow red. You hear a voice from a hidden
speaker ask, "What's the problem?" Spencer urgently replies,
"King Kong is missing from the Empire State Building model.
>SPENCER, DESCRIBE THE MODEL
"It was built in 1979 by a local artist. He used papier mache
for most of the buildings and metal for the framework of Kong. All
the details are handpainted," she says.
>SEARCH THE MODEL
You peer closely at each tiny building. Clinging to the antenna
of the Empire State Building is a small scrap of what appears to
be white silk.
[Using the letter "G" this way is a short way to say "again".
The program will repeat your previous action.]
A second search of the model reveals a strand of grayish hair between
two of the miniature skyscrapers.
>TAKE THE SCRAP AND THE STRAND OF HAIR
Strand of hair: Gently you lift the strand of hair from the model.
Scrap of silk: Gently you lift the scrap of fabric from the model.
>COMPARE SCRAP TO THE OLDER WOMAN'S DRESS
Holding the scrap of fabric near her dress, it looks like the same
>LOOK AT THE WOMAN'S DRESS
Near the cuff on her right hand you notice a small hole.
>ASK WOMAN ABOUT KING KONG
"I'm not as interested as you are in that ragged chimp, dear.
Errol Flynn was my one and only movie favorite. Furthermore,"
she adds, "you may address me as Mrs. Vanderbiltmoore if you
wish any further conversation with me."
Mrs. Vanderbiltmoore casually walks south out of the room.
The guard arrives, circles the model slowly, looks under the table,
then begins questioning people separately.
>LOOK AT THE STRAND OF HAIR
It appears to be from someone with gray hair.
>ASK ED ABOUT KING KONG
"Definitely one of my favorites. I say, has anyone ever told
you that you
look like Fay Wray?"
"Well, maybe if you had a blond wig."
[You can use the short word "I" instead of INVENTORY.]
You are holding a scrap of silk and a strand of hair, and a linen
suit (actually, wearing it). In the pocket of the suit you see keys,
money, and a magnet.
>LOOK AT THE OLDER MAN
From the possessive way Mrs. Vanderbiltmoore was holding onto his
arm, you assume the older man to be Mr. Vanderbiltmoore. He is quite
distinguished looking in his tan suit with red paisley ascot.
>GO TO ERROL FLYNN ROOM
[You can type "GO TO (a room)" if you know the name of
the room you wish to go to, and the program will take you there.]
(Errol Flynn room)
Mrs. Vanderbiltmoore is here, gazing at one of the many portraits
of Errol Flynn.
>SHOW THE SCRAP TO MRS. VANDERBILTMOORE
Mrs. Vanderbiltmoore glances nervously at the fabric. "It looks
llike a pretty piece of fabric."
She leaves the room to the east.
(horror movie room)
Mrs. Vanderbiltmoore is here, tightly clutching her bag to her.
She leaves the room, heading north.
(King Kong room)
The security guard is questioning Ed.
Mr. Vanderbiltmoore is smoothing his ascot.
Mrs. Vanderbiltmoore is tapping her foot anxiously.
Spencer is searching the room.
>THROW THE KEYS TO MRS. VANDER
[If you want to save time while typing, you can always shorten words
to six letters.]
(You take the keys out of your pocket first.)
The keys sail through the air toward Mrs. Vanderbiltmoore, who catches
them somewhat anxiously with her right hand.
>PUT THE MAGNET ON MRS. VANDER'S BAG
You can't put the magnet on the bag, but when you pass the magnet
near it, something inside the bag is attracted to the magnet and
clunks against the bag.
>COMPARE STRAND TO MRS. VANDER'S HAIR
The strand of hair matches almost exactly to Mrs. Vanderbiltmoore's
>ACCUSE MRS. VANDERBILTMOORE
You call the guard over to you. Realizing the jig is up, Mrs. Vanderbiltmoore
rushes south from the room into the horror movie room.
(horror movie room)
Apparently Mrs. Vanderbiltmoore ran too closely past the iron maiden.
Her white silk dress is stuck on one of the spikes protruding from
the iron maiden. The large purple tote bag lies open at her feet.Mrs.
Vanderbiltmoore is tugging frantically at her dress, trying to get
away from the iron maiden.
>LOOK IN THE BAG
Among the scattered coins, tissues, and make-up, you see the metallic
statuette of King Kong.
The guard and Spencer arrive just as Mrs. Vanderbiltmoore begins
sobbing. He removes the statuette from the bag and hands it to Spencer.
Spencer thanks you for solving the mystery of the missing King Kong
and gives you a lifetime pass to the museum. Congratulations, Danielle!